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The Trade

My Journey into the Labyrinth of Political Kidnapping

Audiobook
1 of 1 copy available
1 of 1 copy available
In 2008, American journalist Jere Van Dyk was kidnapped and held for forty-five days. At the time, he had no idea who his kidnappers were. They demanded a ransom and the release of three of their comrades from Guantanamo, yet they hinted at their ties to Pakistan and to the Haqqani network, a uniquely powerful group that now holds the balance of power in large parts of Afghanistan and the tribal areas of Pakistan. After his release, Van Dyk wrote a book about his capture and what it took to survive in this most hostile of circumstances. Yet he never answered the fundamental questions that his kidnapping raised: Why was he taken? Why was he released? And who saved his life?
Every kidnapping is a labyrinth in which the certainties of good and bad, light and dark are merged in the quiet dialogues and secret handshakes that accompany a release or a brutal fatality. In The Trade, Jere Van Dyk uses the sinuous path of his own kidnapping to explain the recent rise in the taking of Western hostages across the greater Middle East.
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    • Publisher's Weekly

      September 11, 2017
      Journalist Van Dyk’s gripping follow-up to Captive—a memoir about his 2008 abduction in Afghanistan—probes the machinations of the criminals, terrorists, and governments behind his ordeal. The book’s tense, sinister first part covers his pre-kidnapping travels to the Afghanistan-Pakistan border to interview Taliban figures and terrorists, a journey that required shadowy Afghan fixers to negotiate safe passage from tribal leaders and militants and ended in betrayal and his six-week captivity. Subsequent chapters follow his post-release struggle to learn who kidnapped him and why. It’s a hard slog to pry loose information, taking Van Dyk to the White House, the FBI, and the security consultants and Afghan power brokers who negotiated his release (some of whom may have orchestrated his kidnapping). The answers he gets are often enigmatic, but they paint a portrait of a burgeoning trade in hostages compounded from gangsterism, ideology, clan vendettas, and the subterfuges of Pakistan’s Inter-Services Intelligence agency, which supports the Taliban while Washington pretends ignorance. Like a Le Carré novel, Van Dyk’s narrative conjures disorientation, danger, and paranoia as he ponders the hidden motives of the smiling, solicitous men he encounters, all the while conveying his deep-seated anguish.

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  • English

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